PDF Ebook Bones of the Earth, Spirit of the Land - The Sculpture of John Van Alstine, by Nicholas Capasso
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Bones of the Earth, Spirit of the Land - The Sculpture of John Van Alstine, by Nicholas Capasso
PDF Ebook Bones of the Earth, Spirit of the Land - The Sculpture of John Van Alstine, by Nicholas Capasso
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Bones of the Earth, Spirit of the Land, spans the twenty-five year career of the internationally recognized sculptor John Van Alstine. Beginning with early stone carvings reminiscent of Modernists such as Hans Arp and Constantin Brancusi, this book traces the rapid development of a style and themes centered on combining roughly hewn stone and metal. Van Alstine has an abiding concern for the land resulting in sculptures that "elicit meaning through their juxtapositions with existing landscapes, and also transform places from the mundane to the magical," according to Nicholas Capasso in his introductory essay. Also featured in this book are many of Van Altstine's drawings and early "easel paintings." He lives and works in Wells, NY with his wife Holly a painter, and their two daughters.
- Sales Rank: #3282566 in Books
- Color: Multicolor
- Brand: Brand: Editions Ariel
- Published on: 2000-09-30
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x .63" w x 9.54" l, 1.36 pounds
- Binding: Hardcover
- 96 pages
- Used Book in Good Condition
About the Author
Capasso is Associate Curator at the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts.
James Trulove has accumulated more than twenty-five years of experience in LAN, WLAN, and data communications systems with companies including Intel, Motorola, Lucent, Cisco, and Nortel. Mr. Trulove has an extensive background in designing, installing, and troubleshooting LAN cabling and networks, and currently works for a leading manufacturer of wireless networking test systems and equipment. He is a longtime consultant on wired and wireless networks for home and business, and the author of a number of books and articles on networking technologies.
Most helpful customer reviews
6 of 6 people found the following review helpful.
A Sculptor's View of the Land
By T.M. Moyer
Bones of the Earth, Spirit of the Land: The Sculpture of John Van Alstine will be of interest to working artists, as well as to all readers with an interest in contemporary art and the process of turning ideas into visual form. An extensive collection of color photographs (images of sculptures supplemented by drawings and landscape photographs, a less well-known aspect of his work) documents the evolution of Van Alstine's stone sculpture, from a smooth, polished Modernism to the aesthetic of raw, unfinished stone favored by Noguchi and the land-based Postminimalist strategies of Richard Serra. In the 1970s, he began assembling unworked stones, adding wood and metal to create works that respond to the landscape and allude to a narrative impulse beyond the rigors of form. His later works continue to synthesize stone and metal (the signature of Van Alstine's sculptural vocabulary), now throwing found objects, such as a fuel tank and anchor, into the mix. These recent sculptures move from a response to the landscape to an exploration of humanity's relation to the land through forms that evoke tools, vessels, and transport. The introductory essay by Nick Capasso reinforces the story told by the photographs, discussing the sculptures, public art commissions, and works on paper. Here we learn of Van Alstine's early memories of stone and his various personal experiences of the landscape-whether in the Adirondack Mountains of his childhood or in Laramie, Wyoming, where he taught in the `70s. Capasso provides a succinct and informative discussion, guided by the principle that for Van Alstine "stone is everything," and shows an acute sensitivity to the artist's feeling for his chosen materials and the nuanced changes in their treatment over the years. Van Alstine also has the opportunity to speak for himself in an interview with Glenn Harper, Editor of Sculpture magazine. (Another version of the interview appeared in the May 2000 issue of Sculpture.) In this illuminating discussion of materials, process, and content, the artist identifies key technical realizations and pivotal conceptual leaps behind the changes in his work. Harper draws out several fascinating explanations of the layered meanings underlying the abstractions and found objects in Sledge (1992) and Ara (1989). Bones of the Earth as a whole gives a detailed portrait of an artist committed to his materials, his craft, and his place in the real landscape. Its pages reveal Van Alstine's unique mediation between, in Capasso's words, "image, object, and place."
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