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Homeric Moments: Clues to Delight in Reading the Odyssey and the Iliad, by Eva Brann
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Fifty years of reading Homer—both alone and with students—prepared Eva Brann to bring the Odyssey and the Iliad back to life for today's readers. In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus.
Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages."
"Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal
"Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy
"In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas
"Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College
"For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition
"The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?
Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).
- Sales Rank: #266876 in Books
- Brand: Brand: Paul Dry Books
- Published on: 2002-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .90" w x 5.40" l, .97 pounds
- Binding: Paperback
- 326 pages
- Used Book in Good Condition
From Library Journal
We might all wish that philosopher and classicist Brann had taught us Homer. Falling short of that, we can read Homeric Moments, a study of Homer's epics, the Odyssey and the Iliad, based on Brann's 40-year teaching experience at St. John's College in Annapolis, MD. Eschewing issues of contemporary theory or the technical concerns of classical philology, Brann instead focuses on a close reading of Homer's narrative and characters, with a concern for what makes them enduring and insightful. She draws attention to Homer's language, exploring the layers of verbal connotation, and she is especially interested in how Homer creates "delight," a pleasure that appeals to the senses and comes from the extended action and inward refiguring of the events narrated. Brann then contrasts this with the more intense pleasure of tragedy, where the purification of passions induces a more thoughtful response. Written with wit and clarity, this book will be of value both to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners. Recommended for public and academic libraries. T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA
Copyright 2002 Cahners Business Information, Inc.
About the Author
Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for over forty-five years. Brann holds an M.A. in Classics and a Ph.D. in Archaeology from Yale University. Her recent books include The Ways of Naysaying; What, Then, Is Time?; and The World of the Imagination. A volume of her selected essays, The Past-Present, was published in 1997.
Most helpful customer reviews
66 of 67 people found the following review helpful.
a helpful addition to Homer commentaries
By M. H. Bayliss
The first thing the reader will notice is that this book is much more accessible than more overtly scholarly texts -- this is a good thing for either first time readers or long time fans of Homer's works. The opening chapters set the scene well and explain her methodology of picking special moments that illuminate the work as a whole. I enjoyed the first half of the book tremendously and found many fresh insights and interesting observations about both the Iliad and the Odyssey. My only slight disappointment was with the last 50-100 pages which focus mostly on plot summary of the Odyssey rather than her interesting commentary although she points out things along the way the readers should note. The last section reads more like Cliff's Notes while the first two-thirds of the book genuinely added to the reader's delight in Homer's works. Overall an excellent book.
87 of 99 people found the following review helpful.
The Canon Without the Retort
By Harry Kelley
Brann has done a delightful thing in writing Homeric Moments, and in so doing has won, with her much-glancing and everywhere-sparkling wit, a battle in the War on the WC. While many react to the relegation of the essential books to the backshelves of decaying library stacks, Brann has placed one copy of Homer in a magic box so that boys and girls one day, after all the Seven Volumes of Harry Potter are written and digested (a little boy wizard goes a long way), might find something that is more moving than magic, more charming than charmed.
I think many of us who would advocate for the traditional canon are quite aware that nobody's been reading it for years and years. I went off to college in the early 70's (yes, to the place where she taught--although I read Homer with two other incredible teachers, and I don't believe there was a single faculty member in the entire school who couldn't teach Homer). My friends who went to other schools did not read Homer. Or Plato. Certainly not Euclid. Absolutely not Apollonius of Perga on the Conic Sections. So the fiery umbrage over reading books "not like us" seems a little like the lady protesting too much over what is more insubstantial than sound and more fleeting than fury. Yes, I love reading the outraged and wonderful arguments of Harold Bloom--but he's only written for those of us who are so made as to delight utterly in our own pretensions and affectations. Or worse, for those who simply want to buy that lovely big book in the hopes of reading it someday--and who know people seeing it lying around on the sofa will be far more interested in what Bloom has to say about everything than what Ben Johnson has to say about anything (well, enough to read the New York Times Review of Books to find out what Bloom might have to say about something).
Brann has written for anyone, and she just well might succeed in getting a few people off on a race that only starts with Homer--once you start you can't stop,--and you'll be reading Lucretius, Heroditus, Cervantes, Joyce, Tolstoy. It's one of the few ways we have before us to earn the space we take up in this world--letting Homer and his ilk say to us what they would have us hear and teach us what we know we ought to know.
There is a side to the Brann's book, though, that I never expected. The most casual comments about learning (i.e., that you start to learn wisdom only after becoming who you are--finishing the growing up part--because if you aren't who you are, then who's there to grow wise), are stunningly beautiful. Her years of learning are informed by her years of teaching, and the interplay of these two essential, and entirely contrasting, enterprises in the life of a real teacher illuminate this book with a sweetness that I believe few of us get to experience in the halls of academe.
Her delight with Homer reflects, I think, her delight with her own luck at being alive in the world--this is apparent from the smile on her face in the tiny photo on the back.
Come on in. Jump into the wine-colored sea. When you get over thinking how fruity it is to call it wine-colored you just may get drunk on common sea water. Brann's quite willing to pour another glass for you.
52 of 58 people found the following review helpful.
A virtuoso work
By Christopher H. Hodgkin
Homer is, sadly, too often intimidating to the general reader who believes, wrongly but understandably, that he is archaic, irrelevant, and likely to be unreadable. After all, a book length poem -- as the contemporary high-schooler would say, give me a break.
Eva Brann accomplishes, remarkably, two quite different achievements. First, she shows that even after nearly three millenia Homer remains completely relevant and accessible to the contemporary reader. Second, she provides insights which make the poem far more enjoyable to read, and demystifies many of the aspects which might confuse the modern reader.
She does this with a subtle but delightful wit, and with a patient wisdom honed in forty years of teaching.
Homer is not simply about the Trojan war and its aftermath, but is about what it means to live a life of honor and integrity. Brann understands this perfectly, and indeed echos it in her book, which is not simply about how to enjoy Homer, but is itself about what it means to be a successful human.
Brann's academic home, St. John's, is one of the few colleges in the country -- probably in the world -- to abandon the concept of academic departments and to focus on the teacher as a guide to the great minds of history rather than as the teacher in his or her own right. This is the perfect background from which she writes a book which is rich in scholarship but in no way academic or professorial.
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